destruction

TEXTS & WRITING(s)

• 1908
• Ornement et Crime – Adolf Loos
• 1911
• from Concerning the Spiritual in Art – Wassily Kandinsky
• 1913
• Destruction of Syntax—Imagination without strings—Words-in-Freedom
• 1914
• from Expressionism – Hermann Bahr
• 1915
• Gaudier-Brzeska Vortex – Henri Gaudier-Brzeska
• Vortex Gaudier-Brzeska (Written from the Trenches) – Henri Gaudier-Brzeska
• From Cubism and Futurism to Suprematism: The New Realism in Painting – K.Malevich
• 1920
• The Monument to the Third International – Punin
• The Question of Imitative Art – Malevich
• 1922
• Literature and Revolution [Excerpts] – Leon Trotsky
• 1924
• Le futurisme – Léon Trotski
• LA CULTURE PROLÉTARIENNE ET L’ART PROLÉTARIEN – Léon Trotski
• 1928
• L’élémentarisme et son origine – Theo van Doesburg
• 1930
• Letter to Aleksandr S. Nikolsky – K. MALEVICH
• The Stinking Ass – Salvador Dali
• Elémentarisme (les éléments de la nouvelle peinture) – Theo van Doesburg
• 1932
• Letter to Meyerhold – Kasimir Malevich
• 1936
• The Work of Art in the Age of Mechanical Reproduction – Walter Benjamin
• 1937
• Vocation du cinéma – Elie Faure
• The Constructive Idea in Art – Gabo
• Sculpture – Hepworth
• 1938
• The critique of subjective idealism – Georg Lukacs
• Remarques sur le formalisme – Bertolt Brecht
• Discussing Expressionism – Ernst Bloch
• Towards a Free Revolutionary Art – Breton, Rivera, Trotsky
• 1940
• The American Avant-Garde – Clement Greenberg
• 1944
• The Parable of the Oarsmen -Adorno, Horkheimer
• 1947
• The Ideographic Picture – Barnett Newman
• 1949
• from The Congressional Record – George Dondero
• 1951
• ‘Creation and Revolution’ from The Rebel – Albert Camus
• Reflections on the Statuettes, Figures and Paintings of Alberto Giacometti – Ponge
• 1970
• from ‘The Artist and Politics: a Symposium – Donald Judd
• from ‘Ideology and Ideological State Apparatuses’ – Louis Althusser
• 1971
• From Work to Text – Roland Barthes
• 1974
• Prolegomenon’ to Revolution in Poetic Language – Julia Kristeva
• 1975
• from ‘Visual Pleasure and Narrative Cinema’ – Laura Mulvey
• 1976
• The Hyper-realism of Simulation – Jean Baudrillard
• The Hyper-realism of Simulation – Jean Baudrillard
• 1981
• Modernity : An Incomplete Project – Jurgen Habermas
• 1984
• The Deconstruction of Expression – Fredric Jameson
• from … not about master-pieces but why there are so few of them – JUDD
• 1986
• from Interview with Benjamin Buchloh – Gerhard Richter
• 1989
• Who Claims Alterity? – Gayatri Chakravorti Spivak
• 2000
• Sound Art? – Max Neuhaus
• 2012
• Omnitheism and Democracy – Michelangelo PISTOLETTO

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QUOTE(s)