This article had been written in 1912 to introduce an intended book ‘on the artistic expressions of primitive peoples’ on which Nolde was working at the time.
1 The most perfect art was Greek art. Raphael is the greatest of all masters in painting.’ Such were the doctrines of every art teacher only twenty or thirty years ago.
2 Since then, much has changed. We do not care for Raphael, and are less enthusiastic about the statues of the so-called golden age of Greece. Our predecessors’ ideals are not ours. Works signed by great names over the centuries appeal to us less. In the hurry and bustle of their times, worldly-wise artists created works for Popes and palaces. It is the ordinary people who laboured in their workshops and of whose lives scarcely anything is now known, whose very names have not come down to us, that we love and respect today in their plain, large-scale carvings in the cathedrals of Naum-burg, Magdeburg and Bamberg.
3 Our museums are getting large and crammed and are growing rapidly. I am not keen on these vast collections, deadening by virtue of their sheer mass. A reaction against such excess must surely come soon.
4 Not long ago only a few artistic periods were thought suitable for museums. Then they were joined by exhibitions of Coptic and early Christian art, Greek terracottas and vases, Persian and Islamic art. But why is Indian, Chinese and Javanese art still classified under ethnology or anthropology? And why is the art of primitive peoples not considered art at all?
5 What is it about these primitive forms of expression that appeals so much to us artists?
6 In our own time, every earthenware vessel or piece of jewellery, every utensil or garment, has to be designed on paper before it is made. Primitive peoples, however, create their works with the material itself in the artist’s hand, held in his fingers. They aspire to express delight in form and the love of creating it. Absolute originality, the intense and often grotesque expression of power and life in very simple forms – that may be why we like these works of native art.